We’re never truly done here! We’ve added (so far only Leisure Suit Larry 1 EGA) – Characters, Inventory and Credits. We will also be adding Locations. We will be trying to do this for all of the Leisure Suit Larry Games (I, II, III, V, VI and VII). We will also be doing some generic screen shots from each game.
Also, found this in one of our drawers… wonder where the other two disks are…
Hey everyone! We know this is another long awaited update, but we were holding off because we were hoping to be able to confirm a few things, such as our upcoming voice over recording session with our voice actors along with when we plan to let you all beta test. Alas, we are not quite 100% on those dates yet, but hopefully soon. Rest assured, once I have got those dates for you, we’ll do another update and have it out there in the open.
The good news is, we are almost there! Believe it or not, we are on the road for finishing this game up, and when it’s released, it will be done right with all the correct amount of tender love and care(not to mention blood, sweat, and tears) it deserves!
WHAT’S NEW?
As mentioned in a previous update, one of the last remaining areas of the game, has you visiting an interstellar fan convention known as “Andromecon”. This is a beautifully created sequence in the game that features all kinds of creatures dressed up as their favorite characters from all sorts of movies and video games, a lot of which, as an earthling, you’ll hopefully recognize.
Below is a screenshot of Rooter hanging around the convention floor while Centari Corporations baby man CEO Milo Forbin discusses the companies latest creation, the “Facebox”.
We also wanted to show you all some video footage of this scene taking place in action. In this video you will see Rooter navigating part of the Andromecon convention floor. Keep a close eye for some fun SciFi pop culture references milling about. There is quite a few in there! You’ll also notice another SpaceVenture character that we have showed in the past.. Office Quicksilver!
https://youtu.be/11DbJqTmowM______________________________
BEHIND THE SCENES WITH MARK
I thought you guys would enjoy hearing from Mark on some of his design choices for creating the Andromecon sequence.
Mark Crowe:
Hi Gang-
Heres a peek behind the scenes of a short animated sequence I needed in the game.
In our story, Centari Corp produces a VR game console called the ‘Facebox’. From the beginning, the concept for this Facebox appliance was to have a sleek appearance but with something sinister about it under the hood. To reinforce the sinister aspect, we wanted to show Faceboxes being mass produced on an assembly line. The point was to reveal their menacing skeletal innards being encased in a more user-friendly outer shell. The video reveals a little bit of how the effect was achieved.
We used 2D pre-rendered artwork (as with the rest of the game) but mapped it onto simple 2.5D shapes to enhance the illusion of depth. I wanted the outer shell to look like it was actually being 3D printed over the skeleton. To achieve that effect we used a nifty ‘invisible mask’ shader on a flat quad that hides the 3D shell mesh from the camera. But as we animate the invisible mask shape downward, it exposes the shell mesh as it passes through it. Hopefully what I’m trying to describe is more clear in the video.
https://youtu.be/GoHMVfAwbWsI really had a good time putting this little sequence together for the game and just figuring out how to make it work was a fun challenge. Kinda like solving an adventure game puzzle. 🙂
As an added treat, here is some early concepts from artist Brent Forest (and yours truly) showing the evolution of the Facebox appliance.
My initial concept
Brents awesome sketches. Very disturbing. Brent captured the menace perfectly. But who in their right mind would wilfully strap one those to their face, right? So we dialed it back. But then reintroduced the alien-like menace by showing the inner workings of the Facebox in the assembly line sequence.
Image from a April fools Press release we did in 2016
______________________________
RESULTS FROM BACKER VOTING
You guys that backed high enough, got to do a vote on your favorite three villains to be part of the Centari Corporations Executive Staff. The results are in:
These percentages are based upon the TOP THREE selected villains.
Here were the total results:
1. Baronne = 17.6%
2. Mingleton = 38.3%(WINNER)
3. Ursalon = 19.6%
4. Battinski = 16.1%
5. Zorgstein = 55.3%(WINNER)
6. Galactuzon = 27.4%
7. Khaaaanway = 49.3%(WINNER)
8. Bjorgensen-sen = 25.9%
9. Borfndorf = 22.8%
10. Sprockovich = 19%
That’s all for now, but we have more coming your way soon!
Thanks everyone!
Chris Pope a.k.a your humble local intergalactic SpacePope
What would you do if you had all the time in the world?
At first, it would seem incredible, a boon that allows you to do everything you want to do.
But then, once you have accomplished all of your dreams, what will you do with the rest of that time? Where will you find challenge and excitement once you’ve had it all and done it all?
This is especially true for an impatient young Rogue such as Shawn O’Conner. Shawn has the run of the Hero-U castle (as long as he doesn’t get caught after curfew). He can check out the wine cellars, Sea Caves, catacombs, and dungeon. He can work out in the practice area, practice with locks and traps, play games with other students, or visit the library. There is definitely a lot to do.
But without time constraints, the choices go away. Shawn would try to do everything every day, and might find himself in a rut.
Fortunately, time is a precious commodity at Hero-U. Even a Rogue needs to sleep sometime, and there is far more to do than anyone can reasonably manage in one semester.
Time is one of the major “economies” in Hero-U. Players constantly need to decide how Shawn should spend his all-too-limited time. Shawn can focus on social relationships, improve his skills, earn money, take elective classes, or uncover mysteries in the school and dungeons. There certainly won’t be enough time to get bored.
Every game action except for “look” takes time. Conversations take several minutes. Practicing a Rogue or a combat skill takes anywhere from a few minutes to an hour. Class sessions take hours. As you guide Shawn through Hero-U, you will find yourself watching the clock and thinking, “Do I have time for one more practice round? Or do I need to run to the library before it closes?”
As a Hero-U player, you will constantly have to make choices. You can’t do everything every day. That applies to conversations too – you need to choose what Shawn will say, then live with the results. Expect some frustration if you’re a completionist.
None of this is accidental. We want Hero-U to be compelling, and that includes forcing players to make choices. We also want the game to be replayable, so it’s fine if you miss out on some of the dialogue, or one of the classes, or even delving the dungeons. There are many different ways to play the game. We hope you will find Hero-U involving enough to try them all.
In a way, time has been our greatest issue while developing Hero-U: Rogue to Redemption. Shawn’s “semester” at Hero-U consists of 50 game days, each with unique events and conversations. This is what we – and Lori in particular – have been doing over the last five years. She has been writing and crafting all of those events and keeping them from “stepping on each other.”
During the last year, we’ve found many places where the scripts are almost, but not quite, right. Every possible dialogue, each option for picking a lock or disarming a trap, has needed careful testing to make sure they work as intended. We’re getting there, but every day we still find minor (and occasionally) bigger mistakes somewhere in the game. We want to fix as many of them as we possibly can before releasing the game to a wider audience.
By now you might be asking, “What time is it at Hero-U headquarters? When will the game reach Beta, and when will you release it to the world?”
Last time I told you we are “so close we can taste it,” and I estimated a release date between April 15 and May 15. As we haven’t yet declared Hero-U to be Beta-ready, clearly we’re pushing the end of that range, and we could even slip a few more weeks depending on what happens during Beta. I expect to start the Beta process in 1-2 weeks.
If you backed at a Beta tester level, watch your email for a message from BackerKit with instructions on accessing the Beta test on Steam. We have all three versions – Windows, Mac, and Linux – available, but are only using Steam during the testing phases. We’ll add other ways to get your game when we “go live.”
Game industry use of the terms “Alpha” and “Beta” isn’t consistent. For us, we’ll be ready for Beta when the game is completely playable, all essential features are in place, and it has no known game-stopping issues such as crashing or freezing. I am also trying to make sure it is as free as possible of “uncaught exceptions”; these might not freeze the game, but they are often signs of deeper problems in the game.
The main missing features at this point are Achievements (which we will turn into Steam Achievements) and the game manual. I’m working on both of those currently. Also missing are credits for both developers and backers, and the opening cinematic. Other than those, the game is complete, but not yet ready for release. We are still tuning combat, making sure all combat items work as intended, and adding additional sound effects. We’ll continue to do all of that during Beta testing.
Lori and I are so excited that we will finally be able to put our game in your hands “really soon now.” Every week we get closer to the day we can say, “Ship it!” That was always Ken Williams’ favorite part of making a game at Sierra, and soon it will be ours.
Of course, then our real work – or the next stage of it – begins again with promotion, fulfillment, the Art Book, Bestiary, and planning Hero-U: Wizard’s Way. This will be quite a journey!
With permission from Daniel De Kock, who originally posted this:
Hi everyone,
I’m feeling a bit nostalgic today and went through my external drive with material from years ago and felt best to share it with you before it is lost forever. Once upon a time in a land far far away there was a 12 year old boy that felt in love, like most of us here, with the games from Sierra which touch our hearts and has such an impact on our lives. To this day I’m still touched that people like Ken and Roberta Williams would find the time in their busy lives to engage with us, their fans, so young..
So, many many years ago I’ve taught myself the basics of html and create the Roberta Williams fan club and had a few interviews, received content from the Sierra game designers. Please find below my pride and joy at the time (12 years and English is not my first language , an interview with Roberta Williams from just before King’s Quest VIII was released. Sierra, Ken, Roberta, John, Al, Jane, Lori, Corey and Lorelei, Mark, Josh and Scott (just to name a few, especially the mods from old Sierra forums and chat rooms), thanks for being part of growing up, it was worth it.
1. How would you describe a typical day at Sierra On-Line, working on Mask of Eternity ?
Answer: I work mainly at home for the most part; always have. I go in and work with the rest of the team when I need to but I consider myself more of a contract “writer/designer.” (I suppose this habit got started because I began my career when my kids were very young and I felt that I wanted to be at home as much as possible with them. So – I depend very heavily on good producers (like Mark Seibert) and top-notch team members who don’t need me there full-time. Therefore, describing a “typical” day at Sierra On-Line (now called Sierra Studios) is not really possible for me. I can tell you that it is extremely busy with many products being developed…and a lot of creative energy flying around. The team itself is extremely excited about “King’s Quest: Mask of Eternity” and is beginning to work overtime trying to get it shipping by Christmas.
2. I’ve read in a interview that you may begin with another project as soon as MOE is finished. “However, Roberta and I have been talking about another project that might follow this one.” (This text was quoted from an interview with Mark Seibert he had done with Sierra Gaming World) Can you maybe tell us more about your upcoming project, could it be Phantasmagoria 3 ?
Answer: I hate to disappoint you, but there isn’t any upcoming project as of now. Certain projects have been discussed, but nothing has been decided definitively. I think the (new) management of Sierra is trying to decide what projects to do next…and any input from “fans” out there would probably help them sort out these decisions.
3. What have happened to the marble statue turning alive idea for MOE, which would have been the hero of the game ? That was your first idea for King’s Quest VIII.
Answer: At first the story of KQ8 was going to involve a sort of “evil magic” which causes everybody in Daventry – including King Graham and his family – to turn to stone while, conversely, this same magic would cause a reverse effect on a stone statue…bringing it alive. Then – this “guy” would have to set out to figure out the cause of this evil magic and try to save the people of Daventry by defeating the source of this evil. As the story (and the game) developed, though, the story began to change. Now – it involves a “normal citizen” of Daventry (Connor of Daventry) who survives the onslaught of evil magic, managing, somehow, to “stay alive,” while the rest of the citizenry turns to stone. Connor figures out that the source or cause of this “magic” involves a sacred golden object called the “Mask of Eternity.” A piece of this mask saved him…and it will be the means by which the rest of humanity will be saved….but it’s up to him to accomplish that immense task.
4. You are probably tired of answering this question, but can you tell us new about MOE, e.g. if possible maybe something which will happen in the game etc. Also, what is the most exciting world in MOE and why ?
Answer: What happens in the game is that the most sacred, powerful object in the world, the Mask of Eternity, is shattered by an evil magic (really, an evil “sorcerer-type” guy). When this happens, “Truth,” “Light,” and “Order” are banished from the world and all of humanity turns to stone, while all the supernatural creatures of evil and chaos crawl out from the dark nooks and crannies of the world and begin to spread turmoil and upheaval throughout the land. Connor, being the only “human” left (because he found a piece of the Mask – which saved him), is the one who needs to find the remaining pieces of the Mask and then return it to its rightful place…and to destroy the evil “sorcerer” who caused all of this mess in the first place. If or when he does so, he will cause “Truth,” “Light,” and “Order” to be restored to the world…and humanity to come back to life.
5. Is it more challenging, harder to create Mask of Eternity than it was
with Phantasmagoria ? Is it the creating of the game engine that puts up a
challenge or is it something else ?
Answer: In some ways, it was harder creating Phantasmagoria and in other ways it’s harder to create KQ: Mask of Eternity. (By the way, I feel to the need to stress that this game is “King’s Quest” first and foremost. “Mask of Eternity” is the subtitle. Basically, it’s “King’s Quest 8.” I noticed that you keep referring to the game as “Mask of Eternity” – but not really referencing “King’s Quest.” I need to make sure that people who read this understand that this is DEFINITELY a “King’s Quest” game.)
Anyway – with Phantasmagoria, we weren’t really creating a new game engine, but we were dealing with a lot of issues concerning integrating video, actors, silicon graphics, blue screen effects, etc. – within our old established adventure game engine. With King’s Quest: Mask we are dealing with a game series which already has an established look and feel, but we are creating a brand new 3D engine to evolve the series and bring it up to the expectations of today’s audience. Both were difficult in their own ways; it’s difficult to say which is/was harder. (None of my games are easy! It seems that each one in its own time was difficult! But…I love a good challenge.)
6. Since the design of MOE, dialogue etc. is finished, what are you currently doing on the MOE team ?
Answer: The design of King’s Quest is not finished…and neither is the dialog. Design doesn’t end with turning in a design document. It’s an ongoing thing. You think of new things; you play portions of the game and see that you need to “add” here, or “take away” there; you adjust various aspects of the game; you add, delete, or change dialog; you add more variety/atmosphere/ambience to the worlds; you change characters or add characters. Also – one of the biggest jobs of the designer is to play test the heck out of the game…right up until the minute it ships. You play it and play it and play it until you think you can’t stand to look at it anymore to find each and every little bug, design problem, graphics/animation problem, sound problem, dialog problem, etc. The designer is there at the very beginning – with the initial concepts – and still there at the bitter end…signing it off for shipment.
7. In an article 1989 (I know it is a long time ago and it was also on the KQ collection CD), called, The Making of King’s Quest VI, the author said : “Sometimes she consults her two little children, DJ and Chris, but husband Ken is little help. What did DJ and Chris came up with that you’ve used in your games ?
Answer: That’s a difficult question. I don’t know that I could necessarily think of any particular things. I know that I used to consult with them a lot. Many of my games would follow the ages of my children (at the time) – for instance, I did “Mixed-Up Mother Goose” when my son, Chris, was about 4 or 5 – or, they would be talking to me while on trips in the car, or when they were playing other games and I would ask their opinion of those games they were playing. And they were very opinionated…especially Chris! They have helped with their ideas on game interfaces, or story ideas. I would ask their opinions of characters I was developing, or what they thought of puzzles….or if they had any good ideas about puzzles. Basically, the way I work, I ask LOTS of people for ideas; I’m like an idea vacuum. I’ll ask anybody and everybody. Even my husband got sucked into discussions of my games, too – whether he liked it or not<g>.
8. Can you tell us about your childhood. That is something that your fans know little about. Where have you been brought up, do you have brothers or sisters etc.
Answer: I was raised in southern California – in La Verne – which is located about 30 miles east of Los Angles. When I was a child, my father, John, was a horticulturist and worked for the County of Los Angeles as an Agriculture Inspector. My mother, Nova, was a housewife – but one who was (and still is) a very good oil painter. I have one brother, Jim. He is 18 months younger than me. My brother currently lives in Rancho Cucamonga, California, while both of my parents live in Oakhurst, California. (Oakhurst, California, by the way, is where Sierra On-Line got its start.) Both of my parents are retired now and they love to travel 
the world and they also love to square-dance. My brother works for 3M Corporation. I am married to Ken Williams and we have been married for 25 years. I got married at age 19 (Ken was 18). I have two sons, D.J. (now 24) and Chris (now 18). D.J. is a chef who works at a fine restaurant in Seattle, Washington, and Chris is attending a university in Tokyo, Japan. My only “children” at home now are two dogs, a six year old Swedish Vallhund called Arcade, and a three year old Norwegian Lundehund named Shelbie. My family is very important to me, and I see and am in contact with my parents, brother, and two sons – all of the time. I guess you could say that my life – from the beginning – has been blessed.
9. How do you feel about the idea that Ken Williams have left Sierra, to start another company ? Why did Ken Williams leave Sierra On-Line ?
Answer: Ken and I sold Sierra On-Line to CUC International – now called Cendant. We both made the decision. Ken had been CEO of the company for almost 20 years and was ready for a new challenge. Ken is currently starting a new company, called WorldStream Communications – which is planning to do live, round-the-world, “talk radio” formats over the internet. He is very excited about this…partially because it’s something new…and it’s a company which will challenge him even more than Sierra did.
10. How does the future look for the King’s Quest series, will it survive in this 3D era and what new format (graphics) could come after 3D ?
Answer: I certainly HOPE it survives in this 3D era – and why shouldn’t it? It’s a 3D game, too! “King’s Quest: Mask of Eternity” is a true 3D, third-person adventure game…with some action elements. It’s very “now.” It definitely has its roots in “King’s Quest,” but it also is new and fresh…the whole look and feel is updated. There is a new character to meet, Connor of Daventry, and you can explore SEVEN beautiful 3D worlds to your heart’s content. We also added some “action” elements to give the game more of a “real-time” feeling 
and to enhance the 3D experience. You kind of know the story – but there are also lots of puzzles to solve in this game, too. The puzzles fit very well into the 3D aspects of the game. The one thing which is quite different from the older “King’s Quest” games is the fact that Connor can fight many of the evil creatures of “chaos” – but, with the good and friendly characters…he is more than a gentleman.
As far as any new graphic formats after 3D – what can you do beyond 3D? I mean, 3D is 3D. Nothing is more than 3D. So – 3D will just get better and better: faster, higher resolution, more realistic, utilizing actors, more objects, buildings, trees, etc. Probably in 10 years, you won’t be able to tell that you’re not walking through a real “world.” It’ll look totally real – like movies or TV – but it will be a computer-generated 3D world. (Obviously, multi-player games will also change the look and feel computer gaming…and will probably be integrated into the TV watching experience at some point.)